Is really really real?.

Who photographed, creating a snapshot of reality. Sounds plausible, but wrong, because acetic acid is indeed the reality only through the technical process of photography. How close to the original comes canned, examines the trade magazine "DOCMA".

 

DOCMA
Photographic style funds: More than a mere depiction of what we hold to the reality, far beyond

If you try, the reality of a photograph of manner, you have really made what. Because the camera is merely a device that helps to precisely this reality to be experienced and to preserve. This involves not just squeamish steps: First, the events separated by time factor.

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DOCMA 3 / 2009

Doc Baumanns magazine for digital imaging

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www.docma.info
DOCMA Award 2009 "image forgery"

The human perception is made up of countless small jumps of the eye together, called saccades. The brain synthesizes it into a continuous flow, a kind of film, time is an important criterion for the perception of facts. Accordingly, creative and varied are the ways of this important factor again in a photograph or a composing character.

But the processing of the perceived times, we should consider: It is true that the human eye, especially with the directly connected brain is a miracle thing, you think just consider the huge contrast range, which is managed or the huge depth of field, the available to us.

No wonder that the photographic technology since its inception tried in technical terms to the Biolinse heranzureichen: Panchromatic black and white film, then the ink, then the digital photography, the completely new ways of working or processing has brought. Since there is a surprising but even more so that in the nearly 180 years since the discovery of photography a lot of style funds have accumulated, with the depiction of reality little to do, but quite the contrary for its own, a photograph or Reality is even computer generated.

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That has consequences. In times when photography no longer preserve nature, but largely manipulator is used in addition to facts, and even feelings, dreams and all our consumerist-oriented living environment illustrated and transported, the stylistic devices used on a pure representation of what we to keep the reality, far beyond. Thus, the less obvious image montages meant that one more as a kind of closing date of the imagination of the author could describe, but the many little things that distinguish our viewing habits are constantly evolving.

What style of funds from the reality? What indulge their technical image? And why are different models in impeccable unapproachability rather than through their press by their appearance?