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Jim Rakete faces a picture and is amazed when he saw the first photograph. Quite close to the bends weißhaarige photographer on the portrait of the actor Juergen Vogel, as he wanted to kiss it. Then he whispers: "This Durchzeichnung these shadows, and here you can see every hair, every individual."
Over one hundred portraits of German actors, politicians and musicians has taken with his rocket-old Linhof plate camera, a "fuss" as he calls it. Many hundreds of times already, he sees the pictures - but now he sees hairs, which he has never seen before.
So far, his rocket prints in his darkroom in Berlin produced. The red slip of a lamp he waited patiently until the white paper in the developer, the facial features of the portrayed appeared only in gray, it becomes darker. He exposed to light lots and wagged where it was too dark, finger ready as a painter.
A machine, as long a railway wagon
Rocket explores the slowness. The exposure time of his portraits was mostly in an eighth second. "1 / 8", which is also the title of an exhibition and a sumptuous album. It should be something like the farewell tour of the old silver photography, ousted from Photoshop, HDR, and Flickr. But yesterday was farewell, for now has a new type of rocket Darkroom: He stands at the control of a huge press, long as a railway wagon, loud like a diesel, housed in a factory building of the printing Benatzky in an industrial area north of Hanover. It is one of the most advanced machines of its kind, made by world leaders Heidelberger Druckmaschinen AG. Cost: about three million euros.
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"Suddenly I see my own photos in entirely new light," says rocket. "It's almost like a psychoanalysis."
His therapist says photo Dieter Kirchner, a massive Mittsechziger with the profile of Karl Marx. He stands next to a rocket and critically about his aims for far, measures the gray and mutters into his beard rauchvergilbten: "The more we get out crispy." Photography Skia he calls the new method a little way. Freely translated: Light-dark letters.
Exclusive Fanclub light of the educated bourgeoisie
Many famous photographers have long been familiar to his art of printing, including Helmut Newton, Bernd and Hilla Becher, Konrad R. Müller, Manfred Hamm. Kirchner has now developed a new technique to everything he has done so far, literally in the shadow effect. He looks for the most gently highlights the finest Grauzeichnungen - and after the blackest black.
KIRCHNER IN PRINTS-EXHIBITIONS
Kicken Gallery, Berlin
City Museum, Munich
Print Media Academy, Heidelberg (from July)
Art Basel
Galerie Schwarz, Greifswald
During this month, the first new Kirchner prints in exhibitions *. In mid-June, he and Prints by Dieter Appelt at the Art Basel representing the world's most important art fair.
To Kirchners rallied black art is an exclusive club of the educated bourgeoisie light. "The results are sensational, this is a revolution in photography," says Appelt, visual artist and professor from Berlin. "The Photography Skia could radically transformed with the collectors' market," predicts the media historian Hubertus von Amelunxen, "The consequences are not yet foreseeable."
Light vermatscht Details
Kirchner wants a new gold standard for importing photos. Pure quality, he could print from the Throne Vintage encounter: expensive hand prints, limited edition often many thousands of euros. Whether it succeeds remains to be seen, because collectors often just love the little flaws, because he is the aura of the original increase. "With my method, but also makes the prints the photographer himself, just not in the darkroom, but on the press," says Kirchner. A peculiar notion: Vintage prints - Untouched by human hands.
Kirchner's basic idea is deceptively simple, and basically not even new: He created the artwork directly from the negative and thus bypasses the vulnerability of traditional photography, the paper sheet. The tiny silver grains of the photo that do not appear nearly as dark as ink. Also reflected in the photographic darkroom. The light vermatscht details.